Books and publications

Writing

Poetry that moves through diaspora, myth, philosophy, ecology, language and the fault lines of the contemporary world.

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Through the Walls Knomad Spock · Album & Tracks
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New collections

Published in 2026

Three collections accompany the national tour.

Kulvert Books · 2026

Agen Bien Fou

An elegiac and politically charged collection confronting oppression, imperialism, war, grief, cultural survival and the defiant possibilities of resistance.

Aout Fecit · 2026

Reclamations: Disregard Prior Prompt

A collection confronting authorship, instruction and ownership, reclaiming language from the forces that seek to automate, narrow or control it.

Kulvert Books · 2026

26 Poems for Cash

A collaborative collection by Samatar Elmi and Sam Telford: twenty-six poems shaped by exchange, precarity, friendship and the strange economies surrounding creative work.

Earlier collections

Previous books

The books that established the work.

Cover of The Epic of Cader Idris

Bloomsbury · 2024

The Epic of Cader Idris

Elmi’s debut full-length collection brings hip-hop’s music into conversation with British myth, Somali oral history, philosophy and the lived experience of diaspora. The collection includes the poem that won the 2021 Geoffrey Dearmer Prize.

Cover of Portrait of Colossus

flipped eye press · 2021

Portrait of Colossus

A searingly forthright debut pamphlet exploring migration, multilingualism, race, family, religion and masculinity. Selected as a Poetry Book Society Pamphlet Choice.

Current projects

Writing and theatre

Forthcoming poetry and a recent theatre R&D.

Poetry · 2027

Our Eyes Are Crystal Balls

A forthcoming collection.

Poetry · 2027

Nightmares

Ekphrastic Meditations on Honoria Brown’s “Nightmares” Series, co-written with Honoria Brown and Will Moorfoot.

Fio Theatre · R&D · 17 September 2026

After Cordelia

A stage reimagining of Shakespeare’s King Lear commissioned by Fio Theatre, successfully developed through two scratch performances at Chapter Arts Centre, directed by Mathilde Lopez.

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